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‘Father Mother Sister Brother’ Review: Jim Jarmusch's Endearing and Somber Family Triptych
NYFF63 Rendy Jones 10/22/25 NYFF63 Rendy Jones 10/22/25

‘Father Mother Sister Brother’ Review: Jim Jarmusch's Endearing and Somber Family Triptych

A triptych anthology family portrait about the pain of returning home amid loss. It's very charming, but not one of Jarmusch’s best works.

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‘It Was Just an Accident’ Review: Jafar Panahi's Bold, Captivating Moral Thriller That Explores Iran's Oppressed is One of 2025's Best
NYFF63 Rendy Jones 10/17/25 NYFF63 Rendy Jones 10/17/25

‘It Was Just an Accident’ Review: Jafar Panahi's Bold, Captivating Moral Thriller That Explores Iran's Oppressed is One of 2025's Best

One of the most essential pieces of cinema you'll need to see this year.

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‘Left-Handed Girl’ Review: Shih-Ching Tsou's Kaleidoscopic Solo Debut Sharply Satirizes Taipei's Cross-Generational Family Structures
TIFF 2025 Rendy Jones 10/17/25 TIFF 2025 Rendy Jones 10/17/25

‘Left-Handed Girl’ Review: Shih-Ching Tsou's Kaleidoscopic Solo Debut Sharply Satirizes Taipei's Cross-Generational Family Structures

A stylish, briskly paced, and entertaining portrait of generational social status and class divides.

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'Roofman' Review: Channing Tatum Charms as an Irritating Robber With a Heart of Gold
Rendy Jones 10/11/25 Rendy Jones 10/11/25

'Roofman' Review: Channing Tatum Charms as an Irritating Robber With a Heart of Gold

Tatum and Dunst's chemistry renders the Capital-C cheesy crime thriller tolerable, despite its inconsistent character portrayal..

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‘Tron: Ares’ Review: Time to Pull the Plug on this Series, Permanently
Rendy Jones 10/8/25 Rendy Jones 10/8/25

‘Tron: Ares’ Review: Time to Pull the Plug on this Series, Permanently

Haha, bad script go 101010101010101010101010101.

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'After the Hunt' Review: Luca Guadagnino's Pretentious Misfire of a #MeToo Psychodrama
NYFF63 Rendy Jones 10/7/25 NYFF63 Rendy Jones 10/7/25

'After the Hunt' Review: Luca Guadagnino's Pretentious Misfire of a #MeToo Psychodrama

I feel like I just watched a whole season of Luca Guadagnino’s Degrassi (derogatory).

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'A House of Dynamite' Review: Kathryn Bigelow's American Nuclear Thriller Explodes in a Vacuum
NYFF63 Rendy Jones 10/6/25 NYFF63 Rendy Jones 10/6/25

'A House of Dynamite' Review: Kathryn Bigelow's American Nuclear Thriller Explodes in a Vacuum

While enjoyable for its technical aspects, it’s another example of Kathryn Bigelow's tendency to spin her wheels by producing films with the same old frustrated aura.

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'Late Fame' Review: Willem Dafoe Navigates Career Uncertainty and Nepo-Babies in Mellow NYC Satire
NYFF63 Rendy Jones 10/4/25 NYFF63 Rendy Jones 10/4/25

'Late Fame' Review: Willem Dafoe Navigates Career Uncertainty and Nepo-Babies in Mellow NYC Satire

Kent Jones’ entertaining and scathing contemporary adaptation of 1895 fable about a an older poet and his new and younger adorning fans earns a snap or two.

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‘The Smashing Machine' Review: Benny Safdie and Dwayne Johnson's Sports Bio-Drama is Full of Light Jabs
Rendy Jones 10/3/25 Rendy Jones 10/3/25

‘The Smashing Machine' Review: Benny Safdie and Dwayne Johnson's Sports Bio-Drama is Full of Light Jabs

In his first solo venture, Benny Safdie holds up Mark Kerr up like Rafiki with Simba but fails to signify why he's holding him up in the first place. 

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‘One Battle After Another’ Review: Paul Thomas Anderson’s Postmodern Spectacle is the American Satire We Need Right Now
Rendy Jones 9/25/25 Rendy Jones 9/25/25

‘One Battle After Another’ Review: Paul Thomas Anderson’s Postmodern Spectacle is the American Satire We Need Right Now

An audacious and ambitious epic.

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