‘Him’ Review: Obnoxious and Vapid Football Horror Fumbles the Ball at Every Play
A Peele-wannabe flick with little on its mind and nothing in its soul.
'Mile End Kicks' Review: Barbie Ferreira Rocks in Chandler Levack’s Delightful and Reflective Coming-of-age Music Dramedy
A Canadian's The Summer I Turned Pretty, but for the Almost Famous crowd.
'Tuner' Review: Entertaining Crime Thriller About a Safe-cracking Piano Tuner Plays All the Right Keys
Conventional as they come, but thoroughly entertaining nonetheless.
'Eleanor the Great' Review: Scarlett Johansson's Directorial Debut is a Moving Meditation on Grief, Enhanced by a Sublime June Squibb
Damn you, ScarJo, catching my grief on an off day.
'Little Amélie or the Character of Rain' Review: A God-Tier Animated Portrait of Early Childhood
This dazzling French 2D-animated film is full of imagination and sophistication.
‘Christy’ Review: Sydney Sweeney’s Mighty Punch Can’t Save This Generic, Oscar-Baity Sports Biopic
Fails to give Christy Salters the powerful punch her story deserves.
'Preparation for the Next Life' Review: Moving Performances Carry Doomed Romantic Portrait
An impressive narrative turn for director Bing Liu that takes a somber look at how the US mistreats its inhabitants.
'Caught Stealing' Review: Austin Butler Shines in Darren Aronofsky’s Grueling, Messy 90s NYC Caper
A taxing tonal mess of a caper that keeps hitting foul balls.
'The Roses' Review: Olivia Colman and Benedict Cumberbatch Get Prickly in Darkly Funny Marital Comedy
Sharp when it isn't overshadowed by director Jay Roach's bland flair.
'Ne Zha II' Review: China's Record-Breaking Animated Sequel is a Fiery, Radical Visual Spectacle
Now, if Ne Zha was like a Happy Meal, Ne Zha II is a four-course buffet from a Michelin restaurant.