‘Arco’ Review: Sci-Fi Animated Flick About a Time-Traveling Rainbow-Rider From the Future Endears With Solarpunk Core and Ghibli Vibes
A sincere and sweet fable that captures the wonders and complexity of childhood, beaming with visually stunning artwork and an earnest Miyazaki-influenced tone.
‘Chainsaw Man – The Movie: Reze Arc’ Review: Beautifully Animated Action-Romance Anime Revs up a Fun Cinematic Experience
An explosive and electrifying action roller-coaster ride to watch on the big screen.
‘Father Mother Sister Brother’ Review: Jim Jarmusch's Endearing and Somber Family Triptych
A triptych anthology family portrait about the pain of returning home amid loss. It's very charming, but not one of Jarmusch’s best works.
‘It Was Just an Accident’ Review: Jafar Panahi's Bold, Captivating Moral Thriller That Explores Iran's Oppressed is One of 2025's Best
One of the most essential pieces of cinema you'll need to see this year.
‘Left-Handed Girl’ Review: Shih-Ching Tsou's Kaleidoscopic Solo Debut Sharply Satirizes Taipei's Cross-Generational Family Structures
A stylish, briskly paced, and entertaining portrait of generational social status and class divides.
'Roofman' Review: Channing Tatum Charms as an Irritating Robber With a Heart of Gold
Tatum and Dunst's chemistry renders the Capital-C cheesy crime thriller tolerable, despite its inconsistent character portrayal..
‘Tron: Ares’ Review: Time to Pull the Plug on this Series, Permanently
Haha, bad script go 101010101010101010101010101.
'After the Hunt' Review: Luca Guadagnino's Pretentious Misfire of a #MeToo Psychodrama
I feel like I just watched a whole season of Luca Guadagnino’s Degrassi (derogatory).
'A House of Dynamite' Review: Kathryn Bigelow's American Nuclear Thriller Explodes in a Vacuum
While enjoyable for its technical aspects, it’s another example of Kathryn Bigelow's tendency to spin her wheels by producing films with the same old frustrated aura.
'Late Fame' Review: Willem Dafoe Navigates Career Uncertainty and Nepo-Babies in Mellow NYC Satire
Kent Jones’ entertaining and scathing contemporary adaptation of 1895 fable about a an older poet and his new and younger adorning fans earns a snap or two.
‘The Smashing Machine' Review: Benny Safdie and Dwayne Johnson's Sports Bio-Drama is Full of Light Jabs
In his first solo venture, Benny Safdie holds up Mark Kerr up like Rafiki with Simba but fails to signify why he's holding him up in the first place.
‘One Battle After Another’ Review: Paul Thomas Anderson’s Postmodern Spectacle is the American Satire We Need Right Now
An audacious and ambitious epic.
‘Him’ Review: Obnoxious and Vapid Football Horror Fumbles the Ball at Every Play
A Peele-wannabe flick with little on its mind and nothing in its soul.
'Eleanor the Great' Review: Scarlett Johansson's Directorial Debut is a Moving Meditation on Grief, Enhanced by a Sublime June Squibb
Damn you, ScarJo, catching my grief on an off day.
'Little Amélie or the Character of Rain' Review: A God-Tier Animated Portrait of Early Childhood
This dazzling French 2D-animated film is full of imagination and sophistication.