'God's Time' Review: Frenetic NYC Buddy Caper Marks Fresh Debut from Daniel Antebi
Antebi channels bits of early Spike Lee grit and the Safdie brothers.
‘Creed III’ Review: Michael B. Jordan Delivers a Directorial Debut TKO in Strong Spin-off Threequel
In traditional Rocky fashion, it was time for Michael B. Jordan to don the director’s beret while stepping back into the ring.
'Cocaine Bear' Review: Elizabeth Banks Drops a Snorting Slasher Icon Who Roars Up a Gory Good Time
High-octane thrill ride that reinforces a crucial wilderness survival rule: don’t feed the animals.
'Ant-Man and the Wasp: Quantumania' Review: MCU's First Fifth Phase Flick Starts With a Quantum Flop
The longest episode of Rick and Morty you’ve ever seen, with little wiggle room for imagination.
'The Civil Dead' Review: Let Me Tell You Bout my Dead Best Friend
Clay Tatum and Whitmer Thomas' supernatural comedy provides a refreshing take on the supernatural buddy comedy formula via a contemporary mumblecore lens.
‘Magic Mike’s Last Dance’ Review: Cinema's Stripper Icon Delivers a Fun Albeit Offbeat Farewell
If the first two entries were considered gender-fluid due to their structureless freedom in storytelling, this trilogy finale is the most binary Magic Mike has ever been.
‘Knock at the Cabin’ Review: Killing of a Sacred Queer
M. Night Shyamalan’s latest is a refreshingly solid, brilliantly directed psychological thriller that showcases the talents of its featured ensemble.
‘80 For Brady’ Review: Tomlin, Fonda, Moreno, and Field Score a Touchdown in Sweet Football Comedy
An instant winner of a studio comedy that tributes the spirit of football and the loving relationships we share from it.
'M3GAN' Review: Blumhouses' Latest Sci-Fi Horror Flick About Killer AI Doll Slays the New Year
Struts her stuff and delivers the first great horror film of 2023.
'Empire of Light' Review: Sam Mendes's Soapbox Paradiso
If only Sam Mendes had a Black consultant to slap his hand when he wandered into the wrong areas.
'Babylon' Review: Here's to the Fools Who Dream in the 20s
If La La Land represented Chazelle in his high school freshman era, then Babylon is him as a college senior desperate to graduate.
'Whitney Houston: I Wanna Dance With Somebody' Review: From Wiki to Whitney
So transparent in its commercialization that Kygo’s “Higher Love” remix as the end credits song was like a perfect final bow.
'Avatar: The Way of Water' Review: James Cameron's Sequel is a Majestic Ride Worth the Decade Wait
A breathtaking technical marvel that reminds you that CGI can be a visual feast.
'Saint Omer' Review: Alice Diop's Riveting Courtroom Drama Explores Motherhood's Complexities
One of the year’s best pictures and one hell of a narrative debut for Diop.