‘Father Mother Sister Brother’ Review: Jim Jarmusch's Endearing and Somber Family Triptych
A triptych anthology family portrait about the pain of returning home amid loss. It's very charming, but not one of Jarmusch’s best works.
‘It Was Just an Accident’ Review: Jafar Panahi's Bold, Captivating Moral Thriller That Explores Iran's Oppressed is One of 2025's Best
One of the most essential pieces of cinema you'll need to see this year.
‘Scarlet’ Review: Mamoru Hosoda's Supernatural, Gender-Swapped Hamlet is Another On-Brand Overambitious Spectacle
It might be overwhelming to take in at once if this is your first Hosoda.
'After the Hunt' Review: Luca Guadagnino's Pretentious Misfire of a #MeToo Psychodrama
I feel like I just watched a whole season of Luca Guadagnino’s Degrassi (derogatory).
'A House of Dynamite' Review: Kathryn Bigelow's American Nuclear Thriller Explodes in a Vacuum
While enjoyable for its technical aspects, it’s another example of Kathryn Bigelow's tendency to spin her wheels by producing films with the same old frustrated aura.
'Late Fame' Review: Willem Dafoe Navigates Career Uncertainty and Nepo-Babies in Mellow NYC Satire
Kent Jones’ entertaining and scathing contemporary adaptation of 1895 fable about a an older poet and his new and younger adorning fans earns a snap or two.