‘Now You See Me: Now You Don't’ Review: A Fun Action Threequel Revives a Campy Kind of Magic Long Lost in Movies
Spiritually hits the level of camp that predates the franchise’s existence.
'Song Sung Blue' Review: Hugh Jackman and Kate Hudson Can't Elevate the Sappy Notes in Neil Diamond Tribute Band Bio-Drama
I saw this movie's face; now I'm not a believer.
'Predator: Badlands' Review: Thrilling and Violent Predator Entry Finds Evolution in Humanizing Tale
Think Wreck-It Ralph and Vanellope in a Ratchet & Clank situation… if Ratchet were simply a Yautja.
‘Bugonia’ Review: Yorgos Lanthimos and Co. Beams Up a Sharp American Satire For Our Alienated Nation
A razor-sharp satire of humanity's decline.
'Hedda' Review: Nia DaCosta's Phenomenal Queer Reimagining of Ibsen's Play, Led by Tessa Thompson, Tops its Source Material
A razor-sharp cerebral character analysis powered by bisexual chaos.
‘Arco’ Review: Sci-Fi Animated Flick About a Time-Traveling Rainbow-Rider From the Future Endears With Solarpunk Core and Ghibli Vibes
A sincere and sweet fable that captures the wonders and complexity of childhood, beaming with visually stunning artwork and an earnest Miyazaki-influenced tone.
‘Chainsaw Man – The Movie: Reze Arc’ Review: Beautifully Animated Action-Romance Anime Revs up a Fun Cinematic Experience
An explosive and electrifying action roller-coaster ride to watch on the big screen.
‘Father Mother Sister Brother’ Review: Jim Jarmusch's Endearing and Somber Family Triptych
A triptych anthology family portrait about the pain of returning home amid loss. It's very charming, but not one of Jarmusch’s best works.
‘It Was Just an Accident’ Review: Jafar Panahi's Bold, Captivating Moral Thriller That Explores Iran's Oppressed is One of 2025's Best
One of the most essential pieces of cinema you'll need to see this year.
‘Left-Handed Girl’ Review: Shih-Ching Tsou's Kaleidoscopic Solo Debut Sharply Satirizes Taipei's Cross-Generational Family Structures
A stylish, briskly paced, and entertaining portrait of generational social status and class divides.
'Roofman' Review: Channing Tatum Charms as an Irritating Robber With a Heart of Gold
Tatum and Dunst's chemistry renders the Capital-C cheesy crime thriller tolerable, despite its inconsistent character portrayal..
‘Tron: Ares’ Review: Time to Pull the Plug on this Series, Permanently
Haha, bad script go 101010101010101010101010101.
'After the Hunt' Review: Luca Guadagnino's Pretentious Misfire of a #MeToo Psychodrama
I feel like I just watched a whole season of Luca Guadagnino’s Degrassi (derogatory).
'A House of Dynamite' Review: Kathryn Bigelow's American Nuclear Thriller Explodes in a Vacuum
While enjoyable for its technical aspects, it’s another example of Kathryn Bigelow's tendency to spin her wheels by producing films with the same old frustrated aura.
‘The Smashing Machine' Review: Benny Safdie and Dwayne Johnson's Sports Bio-Drama is Full of Light Jabs
In his first solo venture, Benny Safdie holds up Mark Kerr up like Rafiki with Simba but fails to signify why he's holding him up in the first place.