'Hedda' Review: Nia DaCosta's Phenomenal Queer Reimagining of Ibsen's Play, Led by Tessa Thompson, Tops its Source Material
A razor-sharp cerebral character analysis powered by bisexual chaos.
‘Arco’ Review: Sci-Fi Animated Flick About a Time-Traveling Rainbow-Rider From the Future Endears With Solarpunk Core and Ghibli Vibes
A sincere and sweet fable that captures the wonders and complexity of childhood, beaming with visually stunning artwork and an earnest Miyazaki-influenced tone.
‘Chainsaw Man – The Movie: Reze Arc’ Review: Beautifully Animated Action-Romance Anime Revs up a Fun Cinematic Experience
An explosive and electrifying action roller-coaster ride to watch on the big screen.
‘Father Mother Sister Brother’ Review: Jim Jarmusch's Endearing and Somber Family Triptych
A triptych anthology family portrait about the pain of returning home amid loss. It's very charming, but not one of Jarmusch’s best works.
‘It Was Just an Accident’ Review: Jafar Panahi's Bold, Captivating Moral Thriller That Explores Iran's Oppressed is One of 2025's Best
One of the most essential pieces of cinema you'll need to see this year.
‘Left-Handed Girl’ Review: Shih-Ching Tsou's Kaleidoscopic Solo Debut Sharply Satirizes Taipei's Cross-Generational Family Structures
A stylish, briskly paced, and entertaining portrait of generational social status and class divides.
'Roofman' Review: Channing Tatum Charms as an Irritating Robber With a Heart of Gold
Tatum and Dunst's chemistry renders the Capital-C cheesy crime thriller tolerable, despite its inconsistent character portrayal..
‘Tron: Ares’ Review: Time to Pull the Plug on this Series, Permanently
Haha, bad script go 101010101010101010101010101.
'After the Hunt' Review: Luca Guadagnino's Pretentious Misfire of a #MeToo Psychodrama
I feel like I just watched a whole season of Luca Guadagnino’s Degrassi (derogatory).
'A House of Dynamite' Review: Kathryn Bigelow's American Nuclear Thriller Explodes in a Vacuum
While enjoyable for its technical aspects, it’s another example of Kathryn Bigelow's tendency to spin her wheels by producing films with the same old frustrated aura.