'The Civil Dead' Review: Let Me Tell You Bout my Dead Best Friend
Clay Tatum and Whitmer Thomas' supernatural comedy provides a refreshing take on the supernatural buddy comedy formula via a contemporary mumblecore lens.
‘Magic Mike’s Last Dance’ Review: Cinema's Stripper Icon Delivers a Fun Albeit Offbeat Farewell
If the first two entries were considered gender-fluid due to their structureless freedom in storytelling, this trilogy finale is the most binary Magic Mike has ever been.
‘Knock at the Cabin’ Review: Killing of a Sacred Queer
M. Night Shyamalan’s latest is a refreshingly solid, brilliantly directed psychological thriller that showcases the talents of its featured ensemble.
‘80 For Brady’ Review: Tomlin, Fonda, Moreno, and Field Score a Touchdown in Sweet Football Comedy
An instant winner of a studio comedy that tributes the spirit of football and the loving relationships we share from it.
'M3GAN' Review: Blumhouses' Latest Sci-Fi Horror Flick About Killer AI Doll Slays the New Year
Struts her stuff and delivers the first great horror film of 2023.
'Empire of Light' Review: Sam Mendes's Soapbox Paradiso
If only Sam Mendes had a Black consultant to slap his hand when he wandered into the wrong areas.
'Babylon' Review: Here's to the Fools Who Dream in the 20s
If La La Land represented Chazelle in his high school freshman era, then Babylon is him as a college senior desperate to graduate.
'Whitney Houston: I Wanna Dance With Somebody' Review: From Wiki to Whitney
So transparent in its commercialization that Kygo’s “Higher Love” remix as the end credits song was like a perfect final bow.
'Avatar: The Way of Water' Review: James Cameron's Sequel is a Majestic Ride Worth the Decade Wait
A breathtaking technical marvel that reminds you that CGI can be a visual feast.