‘Marty Supreme’ Review: Josh Safdie’s Gonzo, Epic Ode to Working-Class American Dreamers Unearths Timothée Chalamet at His Career-Best
Little Timmy Tim should have saved his “I want to be one of the greats” SAG Awards acceptance speech for A Complete Unknown for this instead.
‘The Smashing Machine' Review: Benny Safdie and Dwayne Johnson's Sports Bio-Drama is Full of Light Jabs
In his first solo venture, Benny Safdie holds up Mark Kerr up like Rafiki with Simba but fails to signify why he's holding him up in the first place.
'Ne Zha II' Review: China's Record-Breaking Animated Sequel is a Fiery, Radical Visual Spectacle
Now, if Ne Zha was like a Happy Meal, Ne Zha II is a four-course buffet from a Michelin restaurant.
'Highest 2 Lowest' Review: Spike Lee and Denzel Washington's Exciting Modern Reimagining of a Kurosawa Classic
A blast of a bustling crime thriller that's so excitedly capital-N New York.
'Sorry, Baby' Review: Thoughtful and Empathetic Traumedy Marks a Bold Debut For Eva Victor
Sorry, Baby is a triple-threat showcase for Victor.
‘Materialists’ Review: Celine Song’s Sophomore Feature Deconstructs Love Beyond Class in Thoughtful Romantic Dramedy
Song continues to be a unique voice that creates stories about the pursuit of one's heart and raw, layered characters.
‘Warfare’ Review: Alex Garland and Ray Mendoza’s Visceral Iraqi-Set Flick is an Intense Portrait of Wartime Survival
A refreshing change of pace from nearly two decades of jingoist, nationalist Hollywood war films.
'Death of a Unicorn' Review: Unicorn Carnage Spree is a Surface Leveled Satirical Romp
A “baby's first satire” that's not as funny or clever as it seems.
'On Becoming a Guinea Fowl' Review: Zambian Customs are Challenged in Poetic Family Drama Concerning Silence and Complicity
Rungano Nyoni crafts a thoughtful, powerful, visually visceral firecracker of a family drama.
'Opus' Review: A Celebrity Cult Thriller Full of Sour Notes
Not even Ayo Edebiri and John Malkovich can save this "We have Get Out and The Menu at home" misfire.