'American Fiction' Review: Cord Jefferson's Truthful, Sharp Satire has Jeffrey Wright at his Finest
The cinematic manifesto for every Black creative who was finally recognized in the industry because of white guilt.
'Dream Scenario' Review: Pathetic is the New Peak Nic Cage Performance
Essentially, Cage expands his comic reach by playing a Chris Parnell-type.
'Fallen Leaves' Review: A Precious, Wry Finnish Rom-Com For the Introverts | NYFF61
With how dreary Aki Kaurismäki's interpretation of Finland is, Ansa and Holappa's romance is like fresh water in a desert.
‘Backspot’ Review: Energetic Cheerleading Drama is Hoisted by a Spirited Devery Jacobs Performance
Manages to be genuinely entertaining due to the dynamic direction of D.W. Waterson and Devery Jacobs' extraordinary performance.
'Summer Qamp' Review: The LGBTQ+ Kids are Alright | TIFF 2023
As they capture candid footage of these initially shy kids opening up and making friends with others, one would have to be a Grinch not to have their heart melted.
‘The Royal Hotel’ Review: Julia Garner Tends Bar to Toxic Aussie Men in Kitty Green's Tensive Psychological Thriller
Kitty Green made a niche for herself with the two narrative features under her belt: The Torture of Julia Garner in a Masculine Environment Cinematic Universe.
‘Fair Play’ Review: Phoebe Dynevor and Alden Ehrenreich Engage in a Pre-Marital Power Struggle in Engrossing Netflix Psychological Drama
For her debut, Chloe Domont's direction reveals a deft hand at mediating juicy tension in her couple's power struggle.
'Robot Dreams' Review: Pablo Berger’s Silent Animated Flick Boots Up a Bittersweet Tale of Friendship | TIFF 2023
It's one of the year's most human movies, and there's not even a single human in the film.
'Hate to Love: Nickelback' Review: Music Doc Commercially Chronicles Canada Band’s their Long Road | TIFF 2023
An endearing reflection on their career up to this point.
‘They Shot the Piano Player’ Review: Animated Bossa Nova Doc From 'Chico & Rita' Team Hits All the Wrong Keys | TIFF 2023
The first sour note this film hits is a G-flat. G, as in Goldblum