‘The Invite’ Review: Olivia Wilde’s Cringey Marital Comedy is a Welcome Return to Form
A triumphant return for Olivia Wilde and delivers the kind of sharp, adult relationship comedy Hollywood has been missing.
'Jackass: Best and Last’ Review: The Last Great American Idiots Ride Off Into the Sunset
If you thought Toy Story 5 was the only fourth sequel dropping this month that would make you cry, think again.
‘Supergirl’ Review: A Woman of Tomorrow Trapped in Yesterday’s Superhero Movie
Milly Alcock innocent.
‘Girls Like Girls’ Review: Hayley Kiyoko’s Sapphic Summer Romance Brings the Butterflies
An adorable and affecting update that ultimately captures the tender yearning, nostalgic warmth, and sapphic sincerity that made the music video a generation-defining queer touchstone.
‘Toy Story 5’ Review: Jessie Takes the Reins in Pixar’s Heartfelt Tech-Age Sequel
Turns plastic into poetry once again, pairing a moving Jessie spotlight with smart commentary on childhood, technology, and friendship.
‘Stop! That! Train!’ Review: ‘Drag Race’ Icons Bring Fresh Life to Disaster Movie Parodies
A charmingly chaotic ride that delivers more laughs than derailments.
‘Scary Movie’ Review: The Wayans Brothers Return Chopped, Unc, and Outdated on Arrival
At least it made for a better Scream than Scream 7.
‘Masters of the Universe’ Review: Travis Knight Revives He-Man With Colorful Chaos and Surprising Heart
I haven’t had this much fun with an action summer blockbuster since Furiosa, and that’s coming from a they/he who doesn’t give a hoot about He-Man.
‘The Travel Companion’ Review: A Painfully Relatable Indie About Friendship, Freeloading, and Failure to Launch
A cautionary fable on what happens when you don't tell your lifelong bestie to grow up and touch some grass.
‘Power Ballad’ Review: Paul Rudd Seeks Song Credit From Nick Jonas in Charming but Slight John Carney Comedy
Essentially, it’s John Carney pulling a Big Fat Liar plot with classism.
‘Backrooms’ Review: Kane Parsons’ A24 Horror Nightmare Turns Liminal Spaces Into Pure Dread
The Creepypasta generation made Its own ‘Blair Witch Project’ and horror cinema might be in good hands for it.
'Tuner' Review: Entertaining Crime Thriller About a Safe-cracking Piano Tuner Plays All the Right Keys
Conventional as they come, but thoroughly entertaining nonetheless.
‘Our Hero, Balthazar’ Review: Oscar Boyson’s Darkly Funny Debut Tackles Influencer Culture and Male Isolation
A sharp headshot on our current era of teen desensitization and internet fame addiction.
‘Is God Is’ Review: Aleshea Harris’ Neo-western Sisterhood Revenge Odyssey Burns With Fury
Aleshea Harris’ bold directorial debut delivers a fiery exploration of violence and identity, elevated by sharp writing and standout performances from Kara Young and Mallori Johnson.
‘Mortal Kombat II’ Review: A Shein-Level Guardians Clone With a Mortal Kombat Skin
Relies on reheating Gunn's nachos, rather than making his own toasty plate.