‘Over Your Dead Body’ Review: Jason Segel and Samara Weaving Hilariously Fight Till Death Do Them Part
Weaving and Segel excel as a couple straight out of hell.
'Lee Cronin’s The Mummy' Review: A Bloated, Formulaic Horror Better Left in the Crypt
Man, they’re 0/2 with non-Brendan Fraser Mummy movies. WHAT ARE THE ODDS?
'Mile End Kicks' Review: Barbie Ferreira Rocks in Chandler Levack’s Delightful and Reflective Coming-of-age Music Dramedy
A Canadian's The Summer I Turned Pretty, but for the Almost Famous crowd.
‘Erupcja’ Review: Charli XCX and Lena Góra Burn Through a Volcanic Spiral of Sapphic Chaos and Millennial Ennui
Plays like a classic, breezy, light vérité piece, keeping you entranced with its situational premise, voyeuristic handheld lens, and sharp improvisational humor.
'Mother Mary’ Review: Anne Hathaway and Michaela Coel Ignite a Haunting Pop Fever Dream
Insane how David Lowery said Taylor Swift’s Reputation was the inspiration when this is Gaga's "Perfect Celebrity (Lowery Version)."
‘You, Me & Tuscany’ Review: Postcard-Pretty Rom-com is all Cheese, Little Spark
I’m glad somewhere out there is making rom-coms with the spirit of a Disney Channel Original Movie.
‘The Super Mario Galaxy Movie’ Review: Let's-a stop!
Functions like a Mario improv troupe — operates on a continuous string of "yes, ands" with no structural discipline.
‘The Drama’ Review: Zendaya and Robert Pattinson Lead a Twisted Rom-Com That Turns “I Do” Into Existential Chaos
A rollercoaster of a postmodern ‘70s-style AMERICAN rom-com that does everything but skimp out on its title.
‘Forbidden Fruits’ Review: Witchy Mall Horror Comedy is Pure 2000s Mean-Girl Magic
For the now-adult girlies who always wished Limited Too had a Mean Girls and The Craft section in their youth.
‘Seekers of Infinite Love’ Review: A Road Trip Comedy That Runs on Empty
An unfunny trip not worth taking.
‘They Will Kill You’ Review: Zazie Beetz Shines in a Stylish but Repetitive Bloodbath
Goes from a delightful, blood-soaked ‘70s-style remix to a tedious experience hella fast.
‘The Sun Never Sets’ Review: Joe Swanberg Gives Mumblecore Its Groove Back
A brilliant return to form which proves there’s some sun to shine in the mumblecore genre.
‘Ugly Cry’ Review: Emily Robinson’s Claustrophobic Descent Into Identity and Image
A potent and bold horror debut for actress-turned-writer/director Emily Robinson.
'Dead Lover' Review: A Freaky and Funny Frankenstein Iteration For the Freaks
If you're a big fan of the macabre and the absurdist, this one's for you.
'Ready or Not 2: Here I Come Review: Radio Silence's Blood-Soaked Sister-centric Sequel is Sillier than Sinister
Remains a gory, entertaining ride, even if it isn’t quite the level-up the sequel should’ve been.