‘The Super Mario Galaxy Movie’ Review: Let's-a stop!
Functions like a Mario improv troupe — operates on a continuous string of "yes, ands" with no structural discipline.
‘The Drama’ Review: Zendaya and Robert Pattinson Lead a Twisted Rom-Com That Turns “I Do” Into Existential Chaos
A rollercoaster of a postmodern ‘70s-style AMERICAN rom-com that does everything but skimp out on its title.
‘Forbidden Fruits’ Review: Witchy Mall Horror Comedy is Pure 2000s Mean-Girl Magic
For the now-adult girlies who always wished Limited Too had a Mean Girls and The Craft section in their youth.
‘Seekers of Infinite Love’ Review: A Road Trip Comedy That Runs on Empty
An unfunny trip not worth taking.
‘They Will Kill You’ Review: Zazie Beetz Shines in a Stylish but Repetitive Bloodbath
Goes from a delightful, blood-soaked ‘70s-style remix to a tedious experience hella fast.
‘The Sun Never Sets’ Review: Joe Swanberg Gives Mumblecore Its Groove Back
A brilliant return to form which proves there’s some sun to shine in the mumblecore genre.
‘Ugly Cry’ Review: Emily Robinson’s Claustrophobic Descent Into Identity and Image
A potent and bold horror debut for actress-turned-writer/director Emily Robinson.
'Dead Lover' Review: A Freaky and Funny Frankenstein Iteration For the Freaks
If you're a big fan of the macabre and the absurdist, this one's for you.
‘Power Ballad’ Review: Paul Rudd Seeks Song Credit From Nick Jonas in a Charming but Slight John Carney Comedy
Essentially, it’s John Carney pulling a Big Fat Liar plot with classism.
'Ready or Not 2: Here I Come Review: Radio Silence's Blood-Soaked Sister-centric Sequel is Sillier than Sinister
Remains a gory, entertaining ride, even if it isn’t quite the level-up the sequel should’ve been.
‘The Musical’ Review: A Stylish Debut Undone by An Unlikable Lead
Serves as a reason why straight men should not be drama teachers.
‘Project Hail Mary’ Review: Ryan Gosling and a Rock Make Sci-Fi Magic
Even Elmo would cry over that damn rock.
‘The Bride!’ Review: Maggie Gyllenhaal’s Stylish Monster Movie is a Chaotic, Half-Formed Feminist ‘Joker’
Even with Buckley’s showstopping lead and bursts of striking imagery, The Bride never comes alive.
‘Hoppers’ Review: Pixar Gets Weird in Daniel Chong’s Darkly Funny Animal Comedy
If the creator of We Bare Bears can make Pixar's best movie in years, who knows what great films lie within every animation television creator?
‘Scream 7’ Review: Ghostface Trades His Metallic Knife for Plastic in Bloody Embarrassing Slasher Sequel
You either die a Scream or live long enough to see yourself become a Stab.