'Mile End Kicks' Review: Barbie Ferreira Rocks in Chandler Levack’s Delightful and Reflective Coming-of-age Music Dramedy
A Canadian's The Summer I Turned Pretty, but for the Almost Famous crowd.
‘Forbidden Fruits’ Review: Witchy Mall Horror Comedy is Pure 2000s Mean-Girl Magic
For the now-adult girlies who always wished Limited Too had a Mean Girls and The Craft section in their youth.
‘Seekers of Infinite Love’ Review: A Road Trip Comedy That Runs on Empty
An unfunny trip not worth taking.
‘They Will Kill You’ Review: Zazie Beetz Shines in a Stylish but Repetitive Bloodbath
Goes from a delightful, blood-soaked ‘70s-style remix to a tedious experience hella fast.
‘The Sun Never Sets’ Review: Joe Swanberg Gives Mumblecore Its Groove Back
A brilliant return to form which proves there’s some sun to shine in the mumblecore genre.
‘Ugly Cry’ Review: Emily Robinson’s Claustrophobic Descent Into Identity and Image
A potent and bold horror debut for actress-turned-writer/director Emily Robinson.
‘Power Ballad’ Review: Paul Rudd Seeks Song Credit From Nick Jonas in a Charming but Slight John Carney Comedy
Essentially, it’s John Carney pulling a Big Fat Liar plot with classism.
'Ready or Not 2: Here I Come Review: Radio Silence's Blood-Soaked Sister-centric Sequel is Sillier than Sinister
Remains a gory, entertaining ride, even if it isn’t quite the level-up the sequel should’ve been.