'Elio' Review: A Heartfelt, Yet Uncertain, Pixar Sci-Fi Adventure
Lacks the identity and personality needed to stand among the stars of Pixar’s greatest originals.
'Sorry, Baby' Review: Thoughtful and Empathetic Traumedy Marks a Bold Debut For Eva Victor
Sorry, Baby is a triple-threat showcase for Victor.
'KPop Demon Hunters' Review: Sony Animation's Stunning Animated Musical Slays Demons and Serves K-Pop Realness
Just when I thought Sinners was the only supernatural genre musical with cultural significance this year.
‘Materialists’ Review: Celine Song’s Sophomore Feature Deconstructs Love Beyond Class in Thoughtful Romantic Dramedy
Song continues to be a unique voice that creates stories about the pursuit of one's heart and raw, layered characters.
'How to Train Your Dragon' Review: Live-Action Remake of DreamWorks Animation Classic Safely Glides, Despite its Toothlessness
Hey, I’ll take any opportunity to hear John Powell's iconic score on an IMAX sound system.
'Predator: Killer of Killers' Review: Predator Anthology Film is a Bloody, Violent Animated Spectacle
If I had a nickel for every time I've gotten pissed at a cinematic, majestic Predator movie released on Hulu, I'd have two nickels.
'Ballerina’ Review: John Wick Spin-off Fails to Twirl With its Own Identity, Despite a Killer Ana de Armas Performance
Ballerina's obvious retooling to fit into Stahelski's world of John Wick prevents this spin-off from blowing up in its own right.
‘The Phoenician Scheme' Review: Wes Anderson’s Father-Daughter Caper is a Charming and Classy Delight
A mid-tier Wes Anderson is still a very damn good Anderson.
‘Karate Kid Legends’ Review: Ben Wang Kicks High in Passable, but Nostalgia-Driven Sequel
Funny how a Sony movie — 22 Jump Street — made fun of the kind of movie Sony would eventually make 10 years later with Karate Kid IP.
‘Lilo & Stitch’ Review: Umpteenth Lackluster Disney Remake Leaves Behind and Forgets the Original's Magic
Our favorite intergalactic alien fugitive that disguises itself as a dog is surely neutered.