'Sinners' Review: Ryan Coogler's Blood-soaked Southern Gothic Horror Masterpiece
Coogler’s first original flick is a staggeringly sophisticated studio horror with so much on its mind and sharpened fangs ready to bite.
'The Amateur' Review: Wannabe 90s Espionage Thriller Fails to Decode a Distinctive Identity
We have Michael Man—I mean Mr. Rob—I mean Jason Bour—I mean Tony Scot—I mean Edward Snowden at home.
‘A Minecraft Movie’ Review: Jack Black’s Craft Can’t Save This Video Game Adaptation's Hollow-Blocked Banality
A corporate affair as lifeless as working in a mine shaft.
‘Warfare’ Review: Alex Garland and Ray Mendoza’s Visceral Iraqi-Set Flick is an Intense Portrait of Wartime Survival
A refreshing change of pace from nearly two decades of jingoist, nationalist Hollywood war films.
‘The Threesome’ Review: Zoey Deutch, Jonah Hauer-King, and Ruby Cruz Charms in Kinky and Compassionate Rom-Com
Delivers on supreme hetero chaos through a grounded and thoroughly charming lens.
‘A Working Man’ Review: Jason Statham's Latest Blue Collar Beat-em-up is a Dumb-as-bricks Delight
At this point, you should know what you're getting into when you see a Statham flick.
‘Mickey 17’ Review: Two Robert Pattinson's Find Their Individuality in Bong Joon-Ho’s Silly Absurdist Satire
Perhaps the movie we need in these Trump 2.0 times.
'Bob Trevino Likes It' Review: Befriending a New Father Figure
You are my dad; you're my dad, boogie, woogie, woogie.
'Snow White' Review: Rachel Zegler Stuns in Not-So-Heigh-Horrible Disney Live-Action Update
Rachel Zegler pours her entire soul into the role and every inch of that results in pure magic.
'Death of a Unicorn' Review: Unicorn Carnage Spree is a Surface Leveled Satirical Romp
A “baby's first satire” that's not as funny or clever as it seems.
'On Becoming a Guinea Fowl' Review: Zambian Customs are Challenged in Poetic Family Drama Concerning Silence and Complicity
Rungano Nyoni crafts a thoughtful, powerful, visually visceral firecracker of a family drama.
'Opus' Review: A Celebrity Cult Thriller Full of Sour Notes
Not even Ayo Edebiri and John Malkovich can save this "We have Get Out and The Menu at home" misfire.
'Paddington in Peru' Review: Paddington's Threequel is a Charming Adventure, but Lacks That Paul King Touch
Britain’s politest bear is back when it feels like the world needs him most.
‘Captain America: Brave New World' Review: Sam Wilson Gets Shafted in the MCU's Hulk-sized Desperate Attempt for Relevancy
Oops, all Incredible Hulk sequels!
'Love Hurts' Review: Ke Huy Quan Deserves a Better Star Vehicle Than This
Not so painful as early-year slop goes, but nothing to get doe-eyed over.