'Queer' Review: Guadagnino Explores Esotericism With a Poignant, Homoerotic Portrait of Relationships
Artistic approach aside, I find Queer to be Guadagnino's most inventive and confident work to date.
'The Last Showgirl' Review: A Poignant American Portrait of the Overlooked Vegas Working-class
This is a role we have never seen Pamela Anderson in before, and she is razzle-dazzling throughout.
'Wicked' Review: Long-Awaited Adaptation Defies Expectations
And they were r-whoaoaoaoaaaaoooooo-mates.
'Vermiglio' Review: A Visually Mesmerizing and Powerfully Potent Historical Family Drama
What if I told you that one of the year’s finest dramas takes place in a remote Italian mountain town set in 1944?
'Red One' Review: A Lump of Coal Would’ve Been Better Than this Dreadful Christmas Comedy
an overpriced dreck of a Christmas movie devoid of Yuletide cheer.
‘My Old Ass’ Review: A Delightful Coming-of-age and Coming-out-as-bi Comedy
Megan Park is two for two with a strong and resonant flick about reconciling with your younger self.
'Wallace & Gromit: Vengeance Most Fowl' Review: Aardman Delivers Another Smashing Wallace & Gromit Classic
Wallace & Gromit. They are Britain's finest export right next to Paddington Bear.
'Venom: The Last Dance’ Review: SymBrock Face their Curtain Call in Another Typical Sony/Marvel Mess
A mediocre finale to a rather lackluster superhero trilogy.
'Flow Review: Gints Zilbalodis’ Animated Animal Adventure Flick is a Refreshing, Near-Meow-ster Piece
Like ‘Homeward Bound’ in a biblical sense, but with no dialogue and GameCube-era cel-shaded textures.
'Anora' Review: Mikey Madison Slays as a Sex-Worker Who Pulls Herself up by the Stilettos
Sean Baker's Anora is a remarkable portrait of the American dreamers and go-getters of the Gen-Z kind.